The post-apocalyptic, doomed-like tone of the show is just one if the possibilities if we don’t start thinking seriously about labor issues and class in this country.
All in Issue 28
The post-apocalyptic, doomed-like tone of the show is just one if the possibilities if we don’t start thinking seriously about labor issues and class in this country.
Musée would like to congratulate Nan Goldin on her recent Lifetime Achievement Award from the Center for Photography at Woodstock!
Control is something that we find ourselves under, and the power where it emanates is so distant that it makes us look smaller than we are.
The struggles around women’s reproductive rights have been ongoing and will continue to proceed in fits and starts.
“I think that when everything is too placid and quiet in the picture, I think it can get a bit mundane and boring.”
It was 2014 when photographer Sam Geballe’s life became dramatically different.
Imagine a world—a tableau of visual landscapes—filled with play, leisure, delight, and wonder. We are invited into simple scenes of the everyday mundane in which people are shown as just being.
Born in 1923 to a Jewish family in New York, Avedon’s childhood was one with many ups and downs.
Throughout the centuries, artists have been fascinated by the world of surgery, as it provides a unique opportunity to explore the mysteries of life and death.
The experience for them was about control, specifically, not having it.
One of the things that I've always thought about photography is it's a form of time travel.
The grace of aging. The grace of curves. The grace of being secure and being themselves.
Everything I do comes from cultivating intuition and then not judging what I see.
“It was a slow process to get to understand that everything that I was doing actually was political.”