Book Review: Polaroids of Women
“Anna Klevhag, Palm Springs”
© Dewey Nicks
“I don’t rely on mirrors, so I always take polaroids” declares Alicia Silverstone in one of the glamorous fashion montages of Clueless.
“Cher, Hollywood”
© Dewey Nicks
Press. Flash. Flrrrrr.
Moments later, the on-spot portrait develops before your eyes.
Comparable to modern smartphone cameras, Polaroids were essential for testing out the lighting and look before the “real” cameras were ready to go. Typically cast away in the crevices of a photographers studio, instant film cameras are in a 21st Century Renaissance challenging the accessibility of digital platforms and the vision of photography.
“Elizabeth Berkley, Morgan House, Hollywood”
© Dewey Nicks
Polaroids of Women is a collection of forgotten gems curated by Dewey Nicks from his personal archives.
Showcasing the elite performers of 1990s Hollywood, Nicks captures an indie portrayal of each actor even though they are placed before a commercial backdrop.
The glossy and elegantly faded images express a natural presence of everyday life while the stars take a quick break from their 9 to 5. Their identities shine through the detailed set designs, exquisite wardrobe, and the spontaneity of a perfect shot.
“Carla Gugino, Bel Air”
© Dewey Nicks
“Natalie Portman, Hell’s Kitchen, New York”
© Dewey Nicks
Nicks’ visual memoir documents the enjoyment of being on opposite sides of the camera and the absolute fun of collaborating; regardless if anybody sees the final product (immediately).
“Ruza Madarevic, Wexler Steel House, Palm Springs”
© Dewey Nicks
Rather eccentric for the mainstream newsstand, the polaroids pop on the blank canvas blending the beauty of ordinary set locations and sun-rayed lighting amongst the exemplary figures.
Thrilled about his enticing work, Nicks hopes “you find the memories as gorgeous and precious as I do.”
“Patricia Arquette, Hollywood”
© Dewey Nicks
