Woman Crush Wednesday: Hallery Matson
By Dani Martin
Children appear to be some of your main subject matters; how does your childhood reflect in your work?
My childhood was magical. I grew up with four sisters between our home in Miami and a cabin in the Everglades. We collected all different animals, but the most being turtles, snakes, and other lizard species. We were always barefoot with no tree left unclimbed, and our imaginations were endless. Alongside this magical childhood, I was born two years after my nine-year-old brother's death, which forced me to experience and try to grapple with the idea of grief. Being so young and seeing older adults express such raw emotion left me many times confused. Now that I have matured, I try and depict the dichotomy of freedom and joy from my childhood mixed with raw and extreme emotion. Almost all of the images are of my younger cousins whom I have been lucky enough to watch grow up and be part of their very special childhoods.
Are your shots more often candid or more intentional?
Candid and then find intention later on.
Which artists have influenced your photographs?
Sally Mann is my favorite photographer, and Pradip Malde has shaped me as an artist and an individual.
Do you prefer to shoot film or digital?
Film.
Describe your creative process in one word.
Raw.
If you could teach a one-hour class on anything, what would it be?
The difference between a tortoise and a turtle and how to care for both.
What was the last book you read or film you saw that inspired you?
All the light we cannot see by Anthony Doerr. It is my second time reading it, and it continues to inspire me.
What is the most played song in your music library?
Shelter from the storm by Bob Dylan.
How do you take your coffee?
Latte