All tagged feature

Día de Muertos

After the limitations that the global pandemic has imposed on communities and our artistic practices. The way in which the Day of the Dead is celebrated in Mixquic is completely incompatible with sanitary measures.

Fresson Printing Process

Fresson printing brings us back to a more authentic aesthetic, making mood and character a priority for the few photographers who get the chance to have their work printed by the Fresson printing workshop.

Beyond Your Screen

Can you remember what was said at dinner? Most of us may say no. This is because we are obsessed with our phones and posting every facet of our life on social media, especially food at our fancy restaurants. Alcohol could also be a cause but we’re going to blame it on the phones.

An Interview with Nick Brandt

What made you want to study photography and art? Nick: I didn’t study photography at art college (I wish I had). I only came to photography when I realized that it was the best medium for me to be able to express my feelings about animals, the natural world, and the destruction of both at the hands of humans. 

An Interview with Lissa Rivera

Can a woman be an artist and a muse? This was the kind of uphill battle of rhetoric female Surrealists like Leonor Fini encountered in their quest to broaden portrayals of gender, identity, and sexuality in art. Leonor Fini was a pioneer for her efforts to invert the traditional Muse, in which she domesticated her male subjects in more feminine depictions and, in doing so, empowered her female subjects through mythical creatures and folklore, such as her use of the Sphinx. Much of Fini’s art, as with other artistic movements of her era, was a reaction to the horror and inhumanity experienced in the wake of the Second World War.

NYFW: CAAFD 2018

CAAFD, The Council of Aspiring American Fashion Designers, brought some of the best rising and emerging designers from around the globe to the fashion capital of the world for a spectacularly received set of Spring/Summer 19 Collective Showcases. CAAFD, in collaboration with iFashion Network, presented this Collective Showcase at both the renowned Pier 59 venue as well as the world famous Industria venue on September 10th, 2018.

Where Joel Meyerowitz Finds Himself

Best known for his street photography, Meyerowitz has a knack for honing in on the spectacular amid the mundane and has traveled across the globe to capture every instance of it. In the following interview, Meyerwitz discusses with Musée Magazine his journey thus far in regards to uncovering the virtues of photography.

From Gaza with Love

Fadi Thabet is a Palestinian photographer in Gaza. He has dedicated over a decade to photographing Palestinian children throughout the Gaza Strip. Thabet considers himself a human photographer, as his focus is on relaying truth through the eyes of  children of the Beit Lahia area of the northern Gaza Strip, a marginalized border that has survived several bombings. Thabet edges away from photographing political and bloody events, but after President Trump publicly recognized the holy city of Jerusalem as the capital of Israel, Thabet couldn’t turn his lens away from the rage of his people.  

Christmas in America: Happy Birthday Jesus by Jesse Rieser

Jesse Rieser is a bi-coastal photographer, splitting his time between Phoenix and New York. Rieser considers himself a student of subtleties, exploring the intricacies of the quotidian through photography. This week I had the pleasure of chatting with Jesse about his 7 years of documenting Americans celebrating Christmas. In a hilarious show of excess, Rieser reminds us how endearing it is to flash that outward sign of inward cheer. Put your Santa hats on as Rieser reignites the thrill of joy in his series entitled Christmas in America: Happy Birthday Jesus.

Feature: Billy & Hells for TIME Magazine

The portraits of the “Silence Breakers” in TIME were done by photography duo Billy & Hells, who were commissioned by the magazine for the resonant power of their portraiture. While the portraits themselves, which feature the subjects in sharp contrast against soft pastel backgrounds staring into or away from the camera, are pretty standard as far as  the portraits that TIME has featured in past “Person of the Year” issues.

Current Feature: Bruce Gilden

I agree with you. I am also very concerned about that on many levels. First, I'm a photographer. I spent a whole lifetime on photographs that have emotion. A good photograph is one that works well across the frame with a strong emotional content. I don’t want see a kid dying in the frame; I’ve seen that so many times it has become a cliché. But I do want to see something that moves me.