Sotheby’s Emily Bierman discusses their collaboration with AIPAD for an upcoming virtual auction.
All in Interview
Sotheby’s Emily Bierman discusses their collaboration with AIPAD for an upcoming virtual auction.
AIPAD President Richard Moore discusses their collaboration with Sotheby's for an upcoming virtual auction.
Peter Kayafas is an award-winning photographer, professor, publisher, and board member at Yaddo––the oldest artist residency program in the United States.
Musée Magazine had the opportunity to sit down with photographer Sebastian Rogowski about his new book, Suicidal Birds, focusing on the majesty of Central Asia.
In a tell-all interview with photography duo Tati and Erik, the inspiration and dedication of their latest series, HART LËSHKINA’s Show Me How To Feel, is revealed.
“I think that if I feel no emotion when I'm taking the photograph then it doesn't come across in the photo, therefore it will have no impact with the viewer.”
“I always pick subject matter that really moves me, oftentimes things I’ve thought about since I was a teenager. Death row has always been something that, coming from Germany, I have a hard time understanding.”
Our writer sits down with Eiiza Hittsman, the director of this year’s indie hit Never Rarely Sometimes Always
Martine Fougeron shares her experience shooting intimate portraits of her two sons and their friends growing up in New York & the South of France in her thirteen-year-long project, Nicolas & Adrien.
The huge gap between Taca’s imagination for the book of Odes and present China was what draws him into making Odes series.
The Pulitzer Prize-winning photojournalist David Kennerly talks about the importance of bravery, access to power, and paying it forward to the next generation of photographers and students.
We sit down with Christie Neptune to talk about the current political climate, color theory, and her new work.
Instead of a fantasy of wholeness the single image typically promises, my photographs allude to the desire that is created by and through pictures. The photograph as proposition rather than promise.
In this excerpt from Jean Curran’s IMPACT interview, the artist speaks about her recent work “The Vertigo Project”.
I’ve morphed that into a long study of a single place over time. It is really the antithesis of the way that we’re wired.
I spoke on the phone with Johanna Chromik, the artistic director of the fair about her approach, the artist community in Vienna, and the photography included in the fair.