Musée Magazine examines five contemporary photographers whose work deals with the subject of rural communities and the great American pastoral that takes up much of the nation but is rarely seen in detail.
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Musée Magazine examines five contemporary photographers whose work deals with the subject of rural communities and the great American pastoral that takes up much of the nation but is rarely seen in detail.
Kyle Meyer is an American artist who uses a variety of materials and techniques. His latest work, created while in Swaziland on a Brandeis University grant, is called Interwoven. It consists of portraits of gay local men clad in women’s headdresses.
Back in the dog days of mid-August, 36-year-old Vanessa Campos was murdered in Paris’ Bois de Boulogne park. Her death came a year-and-a-half after the French parliament government passed a law designed to both stem prostitution and protect its practitioners - among whose ranks Campos counted herself. A transgender woman from Peru, she was shot by thieves taking advantage of her and her john’s vulnerability in an isolated corner of the park, widely known as one of Paris’ major bazaars of prostitution.
In the arts, context plays various roles, be they to make sense of a work, enhance and deepen its meaning - or construct around its edifice the leaden scaffolding of useless hearsay. For instance, it may be interesting to know that Beethoven composed his 3rd symphony as a tribute to his idol, Napoleon Bonaparte, but it’s far from being essential to the listener’s experience.
Actually, it was kind of an around-the-clock type of thing. I had a little ad agency in Aspen. I could never quite get the photos that I wanted, and so one day I decided to just do it myself. I picked up a camera and started taking pictures, and realized I really enjoyed doing it and that I was pretty good at it.
I did not think that I would start ‘collecting’ photography in the early 90’s, when I was a graduate student in New York. I fell in love with the medium and naturally became curious. I would go to photography exhibitions at the ICP, the MoMA, I would visit galleries in Soho and Chelsea.
We experience our basic necessities every day, and, due to these often-occurring interactions, it is inevitable that we transform them into being more meaningful and pleasurable. This is the reason for the strong connection between food and art.
Suicide isn’t an occupational hazard. The feeling of isolation and helplessness that leads to suicide is one only a fraction of the people can relate to. Being a photo-based magazine, we were curious to hear the stories of some of our colleagues, see what they had to say, and try to understand how they felt.
There once was a time when convention was law. People thought that certain traditions concerning gender and sexual identity needed to be upheld because, until recently, that had been the norm. If a boy was drawn to extravagant outfits and liked to apply make-up, he would be labeled as weird.
An increasing amount of airports are choosing to combat the stress of flying with art installations and galleries for passengers. Photography exhibits in particular have sprung up as a popular way to ‘see’ a region, and San Francisco International Airport is taking the lead in providing such opportunities.
The glitchy, colour corrupted images that make up Jehad Nga’s The Green Book Project seem like they have been pulled off of a destroyed hard drive. Images that were forced from the unwilling grasp of some digital purgatory and thrust into the light of day.
There is no one way to look like or be a father. Too many still believe that a father has to be a certain way. Too many still cannot turn on their televisions and see their own families being represented accurately and honestly.
Every summer since the 1969 Stonewall Riots, Pride has been celebrated in June in New York City and has spread nationally and internationally to the point where former President Bill Clinton officially recognized Pride Month in 1999.
It’s been good. You know, what I like about them is that I really respect the group of photographers they’ve assembled. They have impeccable taste and I’m very happy to be one of their group. And our industry is changing so rapidly.
Almost all the courtroom doors at the Palais de Justice in Brussels contain circular windows, through which one can view the trials in progress. This design expresses the idea of fairness in legal trials, it indicates that there is a transparency to the process. In order to create my video piece Palais de Justice (2017), I shot a lot of footage of trials in progress through these windows.
Brooklyn-based photographer Lauren Silberman is a Party Scientist through and through. Her work explores the culture people create for themselves through celebration, ritual, and tradition in twenty-first century urban nightlife.